Saturday, 10 November 2007

Buddy Whittington - Buddy Whittington (2007 Great Guitar Blues) @128

Born in Fort Worth, Texas on the 28th December 1956, Buddy Whittington began playing guitar at the age of eight after being inspired by his sister's records of The Beatles, Rolling Stones and, in particular, John Mayall's Bluesbreakers with Eric Clapton. By the age of 14 he was already a part of the Dallas/Fort Worth music scene and playing regularly in the clubs along Jacksboro Highway. Although he became versatile enough to be able to play anything from the country music of Bob Wills to the rhythm and blues classics of Bill Doggett to rock 'n roll, his main love was, and is to this day, the blues. During the early 80's, he formed and sang with his own group "The Sidemen" who became well known to a large audience who loved their down home grooves. In 1991, "The Sidemen" were booked at a club called Dallas Alley to open up for none other than John Mayall. Apparently John was impressed enough to keep in touch and, when Coco Montoya left the Bluesbreakers in 1993, there was no doubt in John's mind who to call. Ever since that out-of-the blue phone call, Buddy has brought a powerful new dimension to the Bluesbreakers' sound. To date, his searing guitar and unique talents have ignited the albums SPINNING COIN, BLUES FOR THE LOST DAYS, PADLOCK ON THE BLUES, ALONG FOR THE RIDE, UK TOUR 2K, NO DAYS OFF, STORIES, 70th BIRTHDAY CONCERT and ROAD DOGS.

It's been a Mayall tradition for the Bluesbreakers’ guitarist to cover a Freddie King instrumental, starting with "Hideaway" by Eric on the "Beano", "The Stumble" by Peter on "A Hard Road", and "Driving Sideways" featuring Mick Taylor on "Crusade". Buddy continues this tradition in style with "Sen-Say-Shun" on the BLUES FOR THE LOST DAYS album, Mayall's 1997 Silvertone release. The Texas influence rears its head on "Dead City" from the same album and on "Ain't No Brakeman" from 1994's SPINNING COIN. "It's that Les Paul-through-a-Marshall-tone that Eric refined in '66--it can't be topped! And although I play a Stratocaster through a Dr. Z amp onstage these days, it's that perfect Gibson/Marshall 'thang' that we're all striving for!", muses Whittington.

Unlike countless rock 'n rollers who carry racks of guitars around for every show, Buddy likes to keep it simple and plays only one - his 1963 Stratocaster plugged into a Dr. Z amplifier. He is also an accomplished blues songwriter and, in addition to the songs he sings with the Bluesbreakers on live shows, on the Bluesbreakers CD ‘STORIES’, he contributed his own "Romance Classified". He and longtime Mayall drummer Joe Yuele co-wrote "Pieces And Parts" and together, they also co-wrote 'Always a Brand New Road' on 1999's PADLOCK ON THE BLUES and ‘Awestruck and Spellbound’ on the latest CD ‘ROAD DOGS’. For the same album, bassist Hank Van Sickle joined the writing team and came up with the Bluesbreakers instrumental tribute to the boss entitled “Brumwell’s Beat”. These songs continue to get critical acclaim and attention and have been quoted in many of the album's reviews.

Although John Mayall makes Los Angeles his home base, Buddy is proud to live in Hurst, Texas with his family where he was raised and born to play the blues. He is currently working on material for a future album of his own.


Buddy Whittington - Buddy Whittington

1Young & Dumb3:46
2Pay The Band4:33
3Minor Blues4:49
4Stevie Rave On3:43
5Second Banana3:19
6Greenwood4:10
7Can't Be Good Fro Me3:03
8Romance Classified3:45
9Sure Got Cold After The Rain Fell8:47
10Every Goodbye Ain't Gone3:02

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Howard Scott & Jimmy Witherspoon (1995 Urban Blues) @192

American Blues

American Blues

  • Release Date: 1995
  • Genre: Blues
  • Label: Rhino
  • Total Time: 36:37

Tracks

Track Title iTunes Composers Performers Time
Ain't Nothin' New About the Blues
...
Jimmy Witherspoon Howard Scott, Jimmy Witherspoon (4:10)
I Feel So Bad
...
Jimmy Witherspoon Howard Scott, Jimmy Witherspoon (4:48)
Please Mr. Howard
...
Jimmy Witherspoon Howard Scott, Jimmy Witherspoon (3:34)
Reds & Whiskey
...
Jimmy Witherspoon Howard Scott, Jimmy Witherspoon (4:05)
All Day Long
...
Jimmy Witherspoon Howard Scott, Jimmy Witherspoon (2:02)
Black Gal
...
Jimmy Witherspoon Howard Scott, Jimmy Witherspoon (3:35)
Young Man's Blues
...
Trenier Twins Howard Scott, Jimmy Witherspoon (3:09)
You Ain't Gonna Worry My Life Anymore
...
Jimmy Witherspoon Howard Scott, Jimmy Witherspoon (2:35)
Roam & Ramble
...
Howard Scott Howard Scott, Jimmy Witherspoon (5:12)
How Long Blues
Leroy Carr Howard Scott, Jimmy Witherspoon (3:27)

Credits

Lee Oskar (Harmonica), Joe Gastwirt (Mastering), Richard Moore (Engineer), Howard Scott (Guitar), Howard Scott (Vocals), Howard Scott (Producer), Howard Scott (Main Performer), Howard Scott (Performer), Jimmy Witherspoon (Guitar), Jimmy Witherspoon (Percussion), Jimmy Witherspoon (Vocals), Jimmy Witherspoon (Producer), Jimmy Witherspoon (Main Performer), Jimmy Witherspoon (Concept), Barry Alfonso (Liner Notes), Abbey Anna (Project Coordinator)

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Thursday, 8 November 2007

Junior Watson - Long Overdue (1994 Guitar Blues) @192

With nearly thirty years of experience, Junior Watson has reached cult status. Junior has done what all great artists have done: melting diverse styles to create a style all his own. With influences as diverse as Tiny Grimes, Oscar Moore, Bill Jennings, Rene Hall, Robert Jr. Lockwood, Jimmy Rogers, Eddie Taylor, Guitar Slim, Earl Hooker and others he has truly created one of the most unique and original guitar voices to come along in years. Besides his mastery of blues and swing he often adds his own cartoon-like twist to everything he plays. You'll never know what he will do and when asked he doesn't know himself. His energy and playing gives you a feeling of reckless abandonment. As he was once quoted "like a train off the tracks".

His artist resume is as large as it is impressive. A founding member of The Mighty Flyers he stayed with the band for ten years. He then left to join Canned Heat for ten years. He then toured for a while with LA-based harmonica player/vocalist Lynwood Slim. All along the way he has backed up and recorded with the who's-who of the blues. His list of musical endeavors include backing up and recording with Big Mama Thorton, George Smith, Jimmy Rogers, Shakey Jake, Luther Tucker, Charlie Musselwhite, Kim Wilson, William Clark and there's more. Suffice to say the list is very extensive.

In the past Junior has always been the sideman or featured artist. For the first time in his career he has a band that is taking the back seat and having Junior do all the driving. For the first time you can hear this amazing, original artist wail all night long. This fact alone is exciting and when unleashed, Junior will prove to the rest of the blues community what his cult status is all about.

Henry Cow - Live In Angers 1977 (1977 RARE BOOTLEG) @192

British progressive pioneers HENRY COW was the leading group of the Rock In Opposition* (R.I.O. for short) movement, initiated by their drummer Chris CUTLER. All members of HENRY COW have been involved in collaborations with Canterbury groups and artists at one point or another, and most of them still are. Their music aged amazingly well over the last 20 years due to diverse influences: some of its roots in the Canterbury school, most notably early SOFT MACHINE, other influences (FRANK ZAPPA, BELA BARTOK, KURT WEIL...). The group functioned more or less as a collective, with a true group identity that changed from album to album as members came and went.

Their first album, "Legend" (read "Leg End"), is their most accessible, IMO, and makes a good starter. Their sound draws on modern classical music, jazz and experimental music. "In Praise of Learning" was a collaboration with SLAPP HAPPY, which featured in the addition of a real vocalist (the infamous Dagmar KRAUSE), Pete BLEGVAD and Anthony MOORE. However, they sound nothing like HENRY COW. "In Praise of Learning" and "Concerts" are more noisy albums with a fair dose of improvisation. With their final album "Western Culture" is the final HENRY COW release, and it represents the next logical step from "In Praise of Learning". "Western Culture" seems the obvious choice as their best album being essentially jazz-tinged modernist classical music for an extended rock band instrumentation but it contains outstanding music: some fantastic, frenetic drumming, biting guitar work, and the usual array of saxophones, clarinets, oboes etc.

* Rock In Opposition (R.I.O. for short) defines a certain style of progressive rock: complex, dissonant, free - used to describe such bands MIRIODOR and TIPOGRAPHICA, for example.


Have no artwork to it only tracklist:

CD1:
01. Untitled + Nirvana For Mice
02. Untitled
03. Jackieing
04. Erk Gah 1
05. Free
06. Free
CD2:
01. Ruins 1
02. Ruins 2
03. Ruins 3 + Bitter Storm Over Ulm
04. Viva Pa Ubu + Untitled
05. Erk Gah 2
06. Teenbeat 1
07. Teenbeat 2
08. Teenbeat 3

140mb in 192kbps
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Clockwork - Clockwork REUPLOADED

reuploaded in better quality and with missing song

her you can find the lnik:
CLICK ON ME

enjoy it

Monday, 5 November 2007

Datura - Mr. Untel (1982 Very Rare France Symphonic Prog) @320

Datura - Mr. Untel

What i know by them? i think nothing. France Band from 80's playing Symphonic Prog Rock album released in 1982 on Vynil. In 2007 reissued on Tachika Records as Japanese Mini LP Sleeve. Mp3s and Covers are in pack thanks for them to Gilles. I posting here tracklist and thats all what i know:

Tracklisting
1. La Ballade De Mr. Untel
2. La Cour Des Miracles
3. Un Air De Fete
4. Sang, Foutre, Haine
5. L' Attaque
6. Zhork
7. La Tour D' Ivoire
8. Retour
9. Un Age D' Or

WITH COVERS 120mb in 320kbps
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Kevin Moore (Keb' Mo) - Rainmaker (1980 Funky Blues) @192

Rainmaker is the 1980 debut album by Kevin Moore, now more commonly known as Keb' Mo'. The album features the songs "Rainmaker" and "Anybody Seen My Girl" which were each re-released in Moore's later releases Slow Down and Keb' Mo' respectively.

Released 1980
Genre Blues
Label Chocolate City


Track listing

  1. "I Intend To Love You"
  2. "Break Down the Walls"
  3. "Anybody Seen My Girl"
  4. "Speak Your Mind"
  5. "Rainmaker"
  6. "The Way You Hold Me"
  7. "Rainy Day People (Rainy Day Lady, Rainy Day Man)"
  8. "Holding on to You"

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Prelude - Voyage (1969 Belgium Rare Symphonic Prog) @192

INFO NOW IN PICTURES (click on it to enlarge):




Prelude - Voyage

Covers By Gilles:
Back
Front

60mb in 192kbps
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Sunday, 4 November 2007

Alex Taylor - Voodoo in Me (1989 Very Rare Southern Rock) @192



Alex Taylor - Voodoo in Me

01. Voodoo In You 3:18
02. He Will Break Your Heart 4:18
03. Tequila Quicksand 3:11
04. Catch Me When I Fall 4:00
05. Smokin' At The Gas Pump 3:00
06. Vanessa 3:04
07. Graveyard Dogs 3:22
08. You Got A Way With Me 3:21
09. Time On The Inside 4:23
10. North Carolina 4:19

Alex Taylor - Vocals
James Taylor - Vocals
Jim Shepley - Guitar
Ernie Lancaster - Guitar
Dru Lombar - Guitar
Bryan Bassett - Guitar
Tommy Talton - Guitar
Donald Kinsey - Guitar & Back Vocals
Lucky Peterson - Keyboards & Back Vocals
Gregg Allman - Keyboards
Bob Greenlee - Bass
Jim Payne - Drums
Denny Best - Drums
Noble 'Thin Man' Watts - Tenor Sax
Lawson 'Buzz' Montsinger - Tenor Sax
Bill Samuel - Tenor & Baritone Sax
Sylvestor Polk - Trumpet
'Jumpin' Johnny Sansone - Harmonica
Vyki Z. Walls - Back Vocals
Yvonne Jackson - Back Vocals
Ron Prince - Back Vocals
Ralph Kinsey - Back Vocals
Kenneth Kinsey - Back Vocals

® 1989 King Snake Records

JAPAN MINI LP RIP
UPLOADED BY FRIEND zivoin

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